Signs of the Times I

As a prelude, we witness a dada noise performance by sound artist Peter#KOMPRIPIOTR#Holzknecht. As a sound source for this premiere, three wooden gates from the permanent installation of the artist Paul S. Feichter are used, at the foot of Peterbühl.

It may be described as an unorthodox dada-poem that can be understood as a tribute to Hugo Ball’s “Tak, Track, Craaak”.

Immediately afterwards, at the magic light of the sunset, the American harpist Zeena Parkins will bring to sound the chapel at Peterbühl with the very first performance of 20.9.15[Peterbühl].

Consequently, the chapel is declared a non-accessible area that is converted into a gigantic amplifier, fed by the musician and her two harps.